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Again working with collaborator Scott Humphrey (who had produced his first record), he drafted in a metal superstar cast including Ozzy Osbourne, Slayer guitarist Kerry King, Mötley Crüe/Methods of Mayhem drummer Tommy Lee, and Limp Bizkit's DJ Lethal. Zombie wrangled the rights to the film from the studio while taking out his frustrations on his next solo record, The Sinister Urge. The film, House of 1000 Corpses, was produced and edited, but the studio backed out due to its own corporate standards. He began to work on a feature film in April of 2000, funded by Universal Studios after he designed a horror display for their amusement parks. He delivered remixes to a number of soundtracks while recording a new song for the Mission Impossible: 2 soundtrack, and rounded out his first major solo run with a Rob Zombie toy produced by Todd McFarlane. Starting his own label, Zombie-a-Go-Go Records, he gave bands like the Ghastly Ones a home while creating demented mix CDs like Halloween Hootenanny. When it sold more copies in its first week of release than any White Zombie record before it, he disbanded the group to move on as a full-time solo act, quickly issuing Hellbilly remix album American Made Music to Strip By in the fall of 1999. In 1998, three years after the release of White Zombie's final studio album Astro-Creep: 2000, Zombie made his solo debut with the album Hellbilly Deluxe. 1, that Zombie was launched to new prominence within the music industry, allowing him to try his hand at animation (most notably a hallucinatory sequence of the feature film Beavis & Butt-Head Do America) and directing (he was slated to helm a third chapter of The Crow franchise, working from his own screenplay, but the studio eventually pulled out of the deal). It wasn't until the success of their 1992 major-label debut, La Sexorcisto: Devil Music, Vol.
#Rob zombie hellbilly deluxe 2 special edition download series
They remained an underground act for much of the late '80s through a series of cult-favorite indie releases. Around this time, he founded the band White Zombie with bassist Sean Yseult.
#Rob zombie hellbilly deluxe 2 special edition download tv
In addition to fostering his creative abilities in art school, he also worked as a bike messenger, porn magazine art director, and production assistant for the classic children's TV series Pee Wee's Playhouse. In 2021, he issued his seventh set, The Lunar Injection Kool Aid Eclipse Conspiracy.īorn Robert Bartleh Cummings on January 12, 1966, in Haverhill, Massachusetts, his eclectic style was solidified early on: not only was he raised by parents who had worked in a carnival, but he was also fascinated with horror movies from a young age. As his film career took off, he released cult favorites such as 2003's House of 1000 Corpses, 2005's The Devil's Rejects, and a pair of big-budget reboots for the Halloween series. Top Ten, scoring additional hits with 2001's The Sinister Urge and 2006's Educated Horses. Over the decades, he remained a fixture in the U.S. A lover of B-movie camp, horror nostalgia, and psychedelic imagery, his enduring 1998 debut Hellbilly Deluxe set him apart from contemporaries by balancing brutal metal power with a tongue-in-cheek sense of humor and sexiness that never took itself too seriously. Rob Zombie needs to make a new full-length, for sure, but he could also do well by emptying the vaults of whatever he hasn’t gotten around to releasing, as the bonus cuts here clearly indicate.The longtime frontman for '90s industrial superstars White Zombie, New England-bred multi-hyphenate Rob Zombie went on to forge a highly successful solo career and later branched off into the world of film. The other new track, “Michael,” sways with extra weight as it threatens to come loose from Zombie’s hand and crush anyone in its way. Zombie also adds a raw garage-rock pulse to what he does. “Everything Is Boring” is more standard metal aggression with the usual dissatisfactions with life. That’s not to say that tunes such as “Jesus Frankenstein,” “Sick Bubblegum” and “Death and Destiny Inside the Dream Factory” aren’t filled with plenty of road rage, but the additional tunes do a nice job of augmenting the original album. “Theme for an Angry Red Planet” is the intro to “Mars Needs Women” split into its own track and “The Man Who Laughs” is a new version of the album’s closer. “Devil’s Hole Girls and the Big Revolution” is an intense beating that’s heavier than many of the album’s original tracks. For the special edition of Hellbilly Deluxe 2, three additional tracks were added.